Course: Photography and Contemporary Art III

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Course title Photography and Contemporary Art III
Course code KDT/737
Organizational form of instruction Lecture
Level of course Master
Year of study not specified
Frequency of the course Each academic year
Semester Winter
Number of ECTS credits 10
Language of instruction English
Status of course Compulsory
Form of instruction unspecified
Work placements unspecified
Recommended optional programme components None
Course availability The course is available to visiting students
Lecturer(s)
  • Kolečková Zdena, doc. Mgr. Ph.D.
  • Vartecká Anna, Mgr. Ph.D.
Course content
These informations are in the annotation of the course.

Learning activities and teaching methods
unspecified, unspecified, unspecified, unspecified
Learning outcomes
The seminar studies the developing relation of the photography medium to other forms of visual art and their coexistence since "fine art photography" originated (with emphasis on the trends in the 1990's and the beginning of the 21st century). The course also reflects the coming of digital technologies in the last quarter of the 20th century and on the threshold of the 21st century, both in their static and dynamic forms. The seminars anatomize the takeup of disputable dominance of all forms of artistic expression connected with them. This development is declared based on an analysis of important international exhibition events, as well as significant author's approaches. The seminar as well deals with social, political and economic patterns at the turn of the millennium determining the contentual component of artworks of this period; special attention is given to development of Czech and Central European art and the Czech artistic scene.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Oral exam 2. Written exam
Recommended literature
  • Adams, Brooks a kol. Sensation. Thames and Hudson London, 1977.
  • Bouriaud, Nicolas. Postproduction. Tranzit Praha, 2004.
  • Gallanger, Ann; Roberts, James. General Release. British Council, 1995.
  • Goldstein, Lawrence. The Female Body: Figures, Styles, Specifications. University of Michigan Press, 1991.
  • Jones, Amelia. The Feminism and Visual Culture Reader. Routledge London, 2003.
  • Kol. autorů. Anxiety of Influence, Bachelors, Brides and a Family Romance. Stadtgalerie Bern, 2004.
  • Lévy, Pierre. Kyberkultura (Cyberculture). Karolinum Praha, 2000.
  • Marien, M. V. Photography. London, 2002.
  • Marincola, Paula. Curating now. Philadelphia Exhibitions Initiative, 2001.
  • Owens, Craig. Beyond Recognition, Representation, Power, and Culture. University of California Press, 1994.
  • Periodika. Parkette Revue, Flash Art, Freeze, Praesens, Spike, Zapp, Eye, Mac Art & Design, Umělec.
  • Rosenblum, Naomi. A World History of Photography. Abaville Press, New York, 1989.


Study plans that include the course
Faculty Study plan (Version) Branch of study Category Recommended year of study Recommended semester
Faculty of Art and Design Photography and Time-Based Media (B) Art and applied art 2 Winter
Faculty of Art and Design Photography and Time-Based Media (A) Art and applied art 2 Winter